Edinburgh News - Open Stages and One-Act Playwriting Competition
By Zoe
Open Stages
Last year, the RSC announced a new programme – Open Stages – which was open to any amateur theatre group in the UK. The aim was to “embrace, develop and celebrate amateur theatre, re-forging the bond with the world of professional theatre”. Over 260 amateur companies signed up across the UK, with 4 companies in Edinburgh participating – Edinburgh Theatre Arts (ETA), Edinburgh Graduate Theatre Group (The Grads), Edinburgh University Theatre Group and Arkle Theatre Company. The Grads and Edinburgh University Theatre Group performed their shows late in 2011, with performances to come in April and May for Arkle Theatre Company and ETA respectively. Personally, this has been an incredibly rewarding experience, not only in terms of challenging ourselves but also as a learning experience. Some of us were lucky enough to attend a skills exchange day at Royal Conservatoire of Scotland in Glasgow (formerly RSAMD), run by NTS and RSC. This was a fantastic day which allowed us to meet the other groups taking part, and take part in workshops run by some of the best people in the industry.
Dates for your diary! The upcoming performances for Open Stages in Edinburgh are:
Arkle Theatre Company – We Happy Few, April 2012 (Dates TBC) (Edinburgh & Melrose)
Edinburgh Theatre Arts – MacBeth in Scots (translated by Robin Lorimer), 1st – 5th May 2012 & August 2012 (St Ninian’s Church Hall, Comely Bank Road, Edinburgh).
There will also be extracts from some of the plays at Traquair Shakespeare Festival on 27 May 2012.
SCDA One-Act Playwriting Competition
However, before any play can be brought to life by a great
cast of actors, we need good scripts. Scottish Community
Drama Association (SCDA) has launched their ‘Play on Words’
One-Act Playwriting Competition for 2012-13. Entries are
invited from any aspiring playwrights, with the deadline being 30
June 2012. Entry forms and full rules are available
from www.scda.org.uk
or by email from headquarters@scda.org.uk.
RSC SEEKS ACTS FOR SUMMER OPEN AIR PERFORMANCES
By Editor
THE ROYAL SHAKESPEARE COMPANY SEEKS AMATUER AND SEMI-PROFESSIONAL THEATRE GROUPS FOR OPEN AIR PERFORMANCES THROUGHOUT SUMMER 2012
The Dell
Stratford-upon-Avon
Saturdays from 9 June to 25 August 2012
www.rsc.org.uk
The Royal Shakespeare Company is offering amateur and semi-professional theatre groups the opportunity to put on a play at The Dell, the Company’s open air performance space in Stratford-upon-Avon, on Saturdays throughout summer 2012.
Now in its seventh year, The Dell provides a great platform for these groups to work with the RSC and to present their work to a large audience. Last summer’s season of open air theatre at The Dell saw record breaking attendances. Over 6,000 people watched 36 performances by 20 theatre companies, schools, universities and community groups with more than 1,100 people attending over one weekend alone.
With the World Shakespeare Festival taking place in 2012 this year’s season at The Dell offers a fantastic opportunity for amateur and semi-professional artists to perform to an even wider audience.
In keeping with the spirit of the World Shakespeare Festival, where thousands of artists from around the world will perform in the UK, the RSC is keen to see a broad mixture of performers from different nationalities and backgrounds playing at The Dell this year.
The Dell Co-ordinator Nicola Salmon said:
‘The Dell offers amateur and semi-professional theatre companies the chance to perform at and work with the RSC.
‘In addition to providing a stage we also hope to offer different opportunities for companies to promote their performances and to supply skills training with our professional artists.
‘We’re also expecting large numbers again this year, especially with the World Shakespeare Festival taking place.
‘The World Shakespeare Festival is a truly international, culturally diverse event with companies from across the globe taking part and l would really like to see this broad cultural mix reflected at The Dell.’
Performance times at The Dell are available on Saturdays from 9 June to 25 August 2012. There are two performance slots a day, although the exact time of each performance may vary.
Anyone interested in performing at The Dell will need to submit an application from which can be downloaded from the RSC’s website.
The closing date for receipt of completed applications is Monday 19 March 2012.
For further information and to download an application form please visit www.worldshakespearefestival.org.uk/stratford-upon-avon/the-dell.aspx or contact Nicola Salmon via email: thedell@rsc.org.uk.
PRE-ORDER THE FEBRUARY ISSUE NOW
By Editor
FEBRUARY ISSUE NOW AVAILABLE FOR PRE-ORDER
The February issue of Amateur Stage is out in a few days time.
This issue features an update on the RSC Open Stages Programme, our annual Panto feature, playscript reviews, news from around the country and the NODA national news.
You can pre-order your copy now by clicking HERE
REVIEW: MATILDA THE MUSICAL
By Editor
MATILDA THE MUSICAL
CAMBRIDGE THEATRE
5 Stars - An Absolute Must See
Every so often you get the honour of watching sheer brilliance on stage in the West End.
Such is the case with the RSC’s musical adaptation of Roald Dahl’s Matilda which has just opened in the West End. I attended a matinee where children and adults alike sat squealing with delight with tears in their eyes as this magical tale unfolded on stage.
Matthew Warchus has once again shown himself to be a director of vision, taking the incredibly difficult task of developing and staging a musical and making it all look so effortless.
There are so many things to like about Matilda but it’s necessary to sing the praises of a few key elements. Bertie Carvels wonderous Trunchbull – pure venom and disdain is sure to be an award winner. Likewise the fabulous quartet of young actors playing Matilda (Cleo Demetriou at our matinee performance). So good are these young actors and indeed all of the 8 other young actors playing the children in the show, that you have to wonder how the producers will be able to sustain the incredible talent required.
The staging of Matilda is so polished and incredibly inventive. The shows creators Dennis Kelly and Tim Minchin have perfectly captured Dahl’s ability to see the world through a child’s eyes with all of its distortions and honesty. The score is quirky, emotive and incredibly funny. Adults sitting around me had tears in their eyes watching children on swings singing an anthemic balled called When I Grow Up!
Matilda deserves to stay in the West End for a long time where it can be enjoyed by adults and children alike. It’s one of those shows which will demand multiple viewings. Indeed some of the audience seated around us were on their second and third viewings having seen the show in Startford.
If there is one downside to Matilda it lies in the sound design which often results in the incredible lyrics of Tim Minchin being drowned out by the enthusiastic musicians.
Grab a ticket for Matilda as soon as you can. Be prepared to marvel, laugh, cry and reveal in the joys of childhood as this incredible musical weaves its magical spell.
Get your tickets HERE
Photos Manuel Harlan
volunteers wanted
By handinhandA VISIT TO RSC STRATFORD
By Editor
Last week I was lucky enough to be invited down by the RSC to view the magnificent new building they have recently completed. It's truly remarkable with key features of the old building retained alongside the new structure.
The new auditorium itself is intimate and comfortable. The thrust brings everything right into the audiences laps. We attended Rupert Goold's new production of Romeo & Juliet which was full of energy and passion and well worth a look if you can get down to see it.
I can highly recommend the new restaurant which is offering several pre-show deals. The food is sublime and the view over the river on a gorgeous day just can't be beaten. Make a point of travelling up the tower whilst you are there to take in the breath-taking views.
More information can be found at www.rsc.org.uk


Adding a new turn to the phrase "Treading the boards", selected section of the foyer floor is comprised of timbers from the old mainstage.


A view from the restaurant balcony

The original art deco box office is suspeded in the main entrance.


FEBRUARY ISSUE AVAILABLE NOW FOR PRE-ORDER
By EditorYou can pre-order your copy HERE




